Mamma Mia! is LOUD (with good bits)

In Mamma Mia! the groom and his friends perform a can-can while wearing swimming flippers.

The swim-flipper can-can these dudes do is one of the highlights of Mamma Mia! (Photo by Davi Cooper)

This production of Mamma Mia! is selling the show so hard you’d think it was the last used car on the lot.

Mamma Mia! is a ridiculous—but extremely amiable—jukebox musical. Catherine Johnson, who wrote the book, has strung a bunch of hit songs by ABBA into an unlikely story. A young woman named Sophie lives on a Greek island with her mom, an ex-pat American named Donna, who runs a taverna. Sophie’s getting married and she wants her father to walk her down the aisle, but she doesn’t know who her dad is, so she invites to her wedding the three most likely suspects: Harry, Bill, and Sam, who all had sex with Donna at about the time of Sophie’s conception. Sophie figures she’ll know her dad when she sees him. She doesn’t.

The ABBA songs never quite fit the storyline, but, if the musical is treated with a light hand—as a lark—nobody really cares. It’s just fun—like a bunch of kids putting on a show in their backyard, but with a large budget. Under Valerie Easton’s direction, however, the first act of this Arts Club production comes out punching. It’s loud. A lot of the acting is broad. And Easton and her players lard scenes with so much comic business that they groan under the weight. [Read more…]