Yes, the Honeys do a fan dance — on their own terms. (Photo by Alan Moyle)
Hot Brown Honey: The Remix is one of the best political rallies you’ve ever going to attend — because it’s also a big, loud, slick party.
The Honeys, as they call themselves, are an ever-changing feminist group from Australia that’s made up of Indigenous women and women of colour. Their show, Hot Brown Honey: The Remix, is a revue/spectacle in which they take on banner-like issues in a succession of freewheeling formats: singing, dancing, rapping, hoop spinning, an aerial act …
Hosted by rapper and co-writer Kim “Busty Beatz” Bowers, the performance takes place on and in front of one of the best sets ever. Tristan Shelly has designed a gigantic, hive-shaped mound that’s made up of hexagonal cells — like a honeycomb. Lit from within with computer-programmed cues that spell out things like “Fuck the patriarchy” and “Love, Respect”, in Paul Lim’s lighting design, it can also be lit from outside for dreamier effects.
Speaking of fucking the patriarchy, a whole lot of The Remix is fueled by ferocious female sexuality — let’s call it embodied liberation. If you’re a Vancouverite, you might have seen the original Hot Brown Honey, which The Cultch presented in 2018. The Cultch has already brought that show back once since then, but this is The Remix and some of the new material is fantastically edgy. [Read more…]
