Crystal Pite’s Body and Soul

Crystal Pite's Body and Soul is playing at the Paris Opera

“She has shown us before how skilled she is at evoking both the individuality of the mass and the individual within the mass.”(Photo by Julien Benhamou, Opéra d Paris)

 

THIS IS A GUEST REVIEW BY MAX WYMAN

What has made Crystal Pite “one of the dance world’s most sought-after artists” (The Guardian) is not simply the ravishing movement sequences that she invents. Her dance-works are animated thoughts about the complicated miracle of being human in the universe—ongoing statements from an evolving worldview. She seems to want to touch the core of meaning, to glimpse, even for a moment, the why of it all (or not even that—the what of it all, the mechanics of existence). Through simple and unaffected images and metaphors that she manufactures from the unique language of human physicality—from dance—she invites us to join her in considering the enduring mysteries of the human condition. [Read more…]

Revisor: conceptually seductive, emotionally not so much

Kidd Pivot is presenting Revisor at the Vancouver Playhouse.

The guy is on fire: Doug Letheren as the Deputy. (Photo by Michael Slobodian. Costume by Nancy Bryant)

 

 

 

I was dazzled by the skill, intellectually intrigued, and emotionally and viscerally removed.

With Revisor, writer Jonathon Young and choreographer Crystal Pite sink deep into Nikolai Gogol’s play, which is best known as The Inspector General.

Gogol’s 1842 script was inspired by a Russian story that might be true. When the Deputy (or Mayor) of a small town gets a tip that a government inspector is about to arrive incognito, the Deputy and his fellow officials madly scramble to cover up their corruption and misdeeds. When the bureaucrats mistake a minor civil servant for the inspector, the clerk recognizes their error, happily accepts their bribes—and plots to expose them.

Revisor employs two main stylistic modes. In the first, the performers lip sync to recordings of actors speaking Young’s dialogue, while embodying the characters with extreme expressionistic movement. It’s kind of like a drag version of The Cabinet of Dr. Caligari. [Read more…]

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