Alice in Wonderland: Join her

 

publicity photo for East Van Panto: Alice in Wonderland

Amanda Sum, Mark Chavez, and Raugi Yu in costumes by Barbara Clayden: you want to see this. (Photo: Emily Cooper)

Covid, climate change, and November are conspiring to deplete my capacity for joy. I know I’m not alone in my exhaustion and dread. So the East Van Panto comes as a sorely-needed gift this year, a celebration of life — of community and fun.

Now in its ninth iteration, the East Van Panto has earned its place as one of the best-loved holiday traditions in Vancouver — and this year’s show is a knockout.

In writer Sonja Bennett’s take on Alice in Wonderland, the ten-year-old title character sets off in pursuit of the White Rabbit, who’s wearing a sandwich board advertising free cellphones. When Alice finally meets the Queen of Hearts, she finds the Queen’s name is Jess Cheetos. The Queen runs a company very much like Amazon, which, of course, belongs to Jeff Bezos. As she runs amok in Grandview Woodland Wonderland, the Queen destroys local businesses, controls consumers through the use of cookies, and refuses to let her workers take pee breaks.

Political commentary is part of the stuff of pantos, which are also kid-friendly. That works here, too. What kid doesn’t love a good pee joke? And, in a piece of wordplay that will tickle every six-year-old brain, this Queen of Hearts is also the Queen of Farts.

There’s absurdity for grown-ups, too: in a stroke of genius, the Mad Hatter’s tea party becomes a COPE meeting: at the drop of a hat, they’re ready to protest anything. [Read more…]

Alice in Wonderland: Alice unchained

publicity photo for Alice in Wonderland

Tess Benger plays a modern Alice in Wonderland. (Photo by John Holosko and Robert Metcalfe)

All alone in my office, I was laughing out loud and clapping my hands.

Bad Hat Theatre’s Alice in Wonderland is streaming online, but it does what theatre does best: it activates the concrete imagination. Without resorting to illusion, it uses sounds, bodies, and materials — clearly in a theatre, clearly in an artificial space — to create three-dimensional creatures and fully-fleshed worlds. It’s about pretending. That’s what I’ve been missing. [Read more…]

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