by Colin Thomas | Sep 18, 2021 | Review
For a long time, there is virtually nothing entertaining in this production of the comedy Amphitruo by the ancient Roman writer Plautus (254-184 BC). Then, in a kind of miracle, it gets very funny — and more or less stays that way. In the script, the god Jupiter lusts...
by Colin Thomas | Sep 13, 2021 | Review
I watched this show online but, when it ended, I clapped anyway. Stephanie Morin Robert’s autobiographical solo is about growing up with a glass eye — and turning that perceived vulnerability into a superpower. Formally, Blindside is taut and inventive. Directing her...
by Colin Thomas | Sep 13, 2021 | Review
Yay trans identity! Yay queer idenity! Yay polymorphous perversity! Yay … squid sex? Sure! Yay squid sex! In this playful solo show, which they wrote and perform, S.E. Grummett explores gender through a clown character named Grumms. Grumms uses Barbie and Ken as props...
by Colin Thomas | Sep 13, 2021 | Review
When I heard that this autobiographical solo show was about the performer changing his first name, I thought, “So what?” But Hi, My Name is Jai is engaging for most of its 60 minutes because writer/performer Jai Djwa brings so much richness to it. Djwa’s dad was an...
by Colin Thomas | Sep 13, 2021 | Review
Especially in these tough times, I don’t want to give anybody a bad review, but Iago vs. Hamlet didn’t work for me. The premise of playwright Jayson McDonald’s two-hander is simple: in a mix-up, Iago and Hamlet have rented the same rehearsal space for an hour. After...
