Playing a young revolutionary couple, Olivia Poon and Angus Yam provide some of the most human moments in Chimerica. (Photo by Nancy Caldwell)
I thought it was never going to end. Then, after two hours, the lights finally came up—but it was only intermission. We had another hour and a half to go.
Playwright Lucy Kirkwood’s Chimerica is about the current murky codependence between China and the States. To explore it, she has invented a character named Joe Schofield, a New Yorker whom she credits with taking the famous photograph of the lone protester standing in front of tanks in Tienanmen Square in 1989. Joe was 18. Now it’s 23 years later and Joe is searching for the guy he calls Tank Man. He says he’s doing it because he wants to celebrate Tank Man’s heroism in an age of equivocation, but he also needs to revive his flagging career—and perhaps his sense of moral purpose.
Flying to Beijing, Joe meets Tessa Kendrick, a British market researcher. She’s afraid of flying. He holds her hand. But she’s also tough so, you know: sparks.
Joe’s friend Zhang Lin, who lives in Beijing, is a former Tienanmen protester and current uneasy pragmatist. He pays lip service to accommodating the damage caused by China’s economic “miracle”—including the lethal smog that the Communist Party passes off as weather— but his wife, who was killed in the massacre, keeps appearing in his fridge like a fragment of the conscience he’s put on ice.
Joe’s search for Tank Man ensnares everybody in a convoluted, sometimes bloody detective story that weaves its way through New York’s boroughs—slowly. [Read more…]
