September 11 Fringe reviews from Colin: Ain’t True and Uncle False, A Night at the Rose Coloured Discotheque, and The Messenger

Paul Strickland's Ain't True and Uncle False is playing at the Vancouver Fringe Festival.

Kentucky storyteller Paul Strickland will charm your socks off—and open your heart.

AIN’T TRUE AND UNCLE FALSE

God, we’re fragile. God, we’re beautiful.

In Ain’t True and Uncle False—which is, I guarantee, one of the finest and most original shows you’ll ever see—solo artist Paul Strickland introduces us to his friends and relatives from the Big Fib Trailer Park. The main employer in Big Fib is the pea-punching plant, where locals make regular peas black-eyed.

The homespun inventiveness just keeps coming. In stories that are announced as if they are revelations from the Almighty, we hear about Will, the boy who lost his hand—simply misplaced it—when he was 7, and the conjoined twins who were born a year apart. Underlying all of this, there’s a touching meditation on temporality and decay, on dementia and death. In celebrating the trailer park, Strickland is also trying to preserve it.

“When the peculiar becomes familiar and safe, that’s when you know love”, Strickland says at one point. Just before hearing that line, I had written in my notebook, “I feel safe.”

Remaining performances at Performance Works on September 11 (6:50 p.m.), 14 (5 p.m.), and 16 (4:35 p.m.) [Read more…]